Pop filters are an excellent solution to get rid of any unpleasant popping noises when recording. They’re fantastic at ensuring that you always obtain a quality recording, so check out our recommendations for the best pop filters in 2021 to take your music to the next level.
Table of Content
- 1 Review Of The Best & Cheapest Microphone Pop Filter
- 1.1 1: Aokeo Professional Microphone Pop Filter
- 1.2 2: EJT Pop Filter Best For Runner-Up
- 1.3 3: PEMOTech Pop Filter Best Honorable Mention
- 1.4 4: ZINGYOU Microphone Pop Consider Filter
- 1.5 5: Rode WS2 Microphone Pop Filter
- 1.6 6: Mudder Microphone Cover Foam
- 1.7 7: Auphonix Pop Filter
- 1.8 8: Earamble Microphone Pop Filter
- 1.9 9: InnoGear Microphone Pop Filter
- 1.10 10: Dragonpad Microphone Pop Filter
- 2 Buying Guide for Pop Filters
- 3 Tips
- 4 Considerations
- 5 Price Points
- 6 How did we come up with our list of the greatest pop filters?
- 7 What Features Should You Look For In Pop Filters?
- 8 QUESTIONS AND ANSWERS ABOUT POP FILTER
Review Of The Best & Cheapest Microphone Pop Filter
1: Aokeo Professional Microphone Pop Filter
This filter combines cutting-edge dual-layer technology to shield your microphone from wind and dust, which might present complications. It’s also adaptable enough to fit on most blue yetis or any other 3.5mm microphone. The AUPHonix Pop Filter is a dual-layer pop filter with a double mesh layer that reduces unwanted noise in your recordings. Its adjustable gooseneck holder firmly supports and retains the filter’s weight, and you may alter the angle and distance between the screen and the microphone to fulfill your individual demands.
2: EJT Pop Filter Best For Runner-Up
This pop filter is made up of three layers of high-quality polyester fabric. A 360-degree gooseneck clip stabilizing arm that can carry its own weight is included with this microphone pop filter. It works good with Blue Yeti, snowball mics, and other microphones. The double screen eliminates unwanted popping during recording and effectively reduces wind interference, plosive, and saliva spraying.
3: PEMOTech Pop Filter Best Honorable Mention
Whether it’s a speech or a stream of noise, this pop filter performs a wonderful job at filtering out sharp frequencies. When recording voices, this microphone pop filter has a foam layer, a metal net, and a basic etamine layer that successfully suppresses plosive, pops, crackles, wind interference, and breathing noises. With the combination design of elastic bands and an inner rubber ring, it’s simple to install and remove from the microphone.
4: ZINGYOU Microphone Pop Consider Filter
The sound quality is good, and the design is practical. It’s simple to put on and take off due of the soft elastic head, and the design is strong. The ZINGYOU pf-102 is a high-quality pop filter for voices. It incorporates a double-layered shield design that ensures dry and crisp speech and voiceover recordings while attenuating external noise and eliminating excessive plosives like “p’s” and “b’s” from the screen’s front and sides. A well-designed clamp can be firmly secured to various varieties of microphone arms. With a distance of around 4 inches between the screen and the microphone, you may alter the angle and distance between them.
5: Rode WS2 Microphone Pop Filter
With this pop filter, you may achieve professional effects. It’s built of ultra-dense polypropylene fiber and is supposed to be light. It can avoid undesirable noise at both high and low frequencies. This simple pop filter works with a broad range of microphones. It’s lightweight and simple to use, and it guards you from plosives and the wind.
6: Mudder Microphone Cover Foam
A secure sleeve for your microphone is included in this microphone cover. The case is built of soft foam, and it comes in three unique color combinations. The Blue Yeti and Yeti Pro condenser microphones are compatible with this pop filter. It is built of high-density foam, which helps to filter out unpleasant noise and wind. To protect your microphone from dust and saliva, you may use it both indoors and outdoors.
7: Auphonix Pop Filter
This gadget is a terrific sound-proofing solution for persons who desire to secure their microphone. The AUPHonix Blue Yeti Pop Filter is a two-layer mesh mic shield with an ultra-secure gooseneck that keeps its position at any angle and an easy-on clasp that connects to your Yeti microphone stand in seconds. Like the triple layer windshield filters, the two layer mesh won’t choke your words, muffle your voice, or drown out your intonation… It won’t make “twangy” or “s-phasiness” noises like a metal pop filter, either.
8: Earamble Microphone Pop Filter
This pop filter includes a two-layer structure for better sound quality. A flexible 360 gooseneck clip stabilizing arm is included with the studio microphone wind screen pop filter. It suppresses air bursts in the same manner that a pop filter would: the distance between them disperses any residual air pressure, so the explosion is quickly contained by the time it reaches the second screen. This aids in the removal of plosives and saliva spraying when recording or transmitting, as well as the acquisition of a clear and strong sound.
9: InnoGear Microphone Pop Filter
This pop filter is a two-layered screen that you may add to your microphone’s windshield to minimize unwanted noise. The InnoGear Pop Filter is a two-screen pop filter that protects your microphone from air blasts. It’s simple to set up and comes with an adjustable gooseneck holder that lets you modify the angle and distance between the screen and the microphone rapidly. It may also be used on booms or mic stands (maximum diameter: 1.6 inches) and other audio equipment.
10: Dragonpad Microphone Pop Filter
This pop filter incorporates a swivel mount so you can have a tight handle on your microphone. It’s also lightweight, making it simple to take on the road. This pop filter may be attached to nearly any microphone or microphone stand. It incorporates a unique bracket angle and tension screw that secures it where you place it while letting you alter it for the best comfort and quality. Multiple layers of nylon mesh with an air gap work together to minimize and eliminate popping and lisping without losing clarity in your recordings.
Buying Guide for Pop Filters
In every recording setup, pop filters are a must-have. They decrease plosives, eliminate unwanted sounds, and maintain your mic over time. Here’s our purchase guide to help you in getting the ideal pop filters for your demands.
Some pop filters may be used with any type of microphone, but be sure the filter you buy is compatible with the microphones you have. Read the product descriptions carefully and consider how your microphone will be used to decide the optimal pop filter setup. When you’ve got your pop filter, make sure it’s properly applied to your mic so you can get the most out of it.
When it comes to purchasing a pop filter, there are a few things to consider. Do you have a lot of background noise and plosives in your recordings? Perhaps a more robust pop filter is appropriate for you, since it will have more layers to screen you from wind and other noise. What type(s) of microphone(s) do you have? You should ponder about whether or not the pop filter you chose is adequate. Some function with a wide range of microphones, while others are specialized to certain types. Of course, you’ll want to ponder regarding your budget.
Pop filters are inexpensive and make a huge difference in your recordings, so they’re absolutely worth the investment. Here’s how much everything costs:
Pop filters are available for less than $10. These aren’t bad, but they might not hold up to a lot of tinkering and recording.
You’ll discover a wonderful choice of things for $15-$20 that is suitable for any musician.
Pop filters that cost more over $25 are thought to be on the pricey side. You can easily acquire something identical for less money, but in the music industry, $25 isn’t a lot of money. If you feel it will make a huge difference in your recording, go ahead and do it.
How did we come up with our list of the greatest pop filters?
Every item on this list is incredibly sturdy and will withstand a long time. It’s also a mash-up of several high-end, cutting-edge products constructed of premium materials. Many single-piece filters are available at a reasonable price.
To produce the greatest selections, our team of professionals sifted through several assessments of distinct pop filter gadgets. Of course, they took into account consumer and expert opinions to guarantee that the goods shown above were of outstanding quality.
What Features Should You Look For In Pop Filters?
There are a few key forms of pop filters that may be ideal for your demands. Some link directly onto your mic, while others operate as a barrier in front of or surrounding it. Each has its own set of pros and downsides, and it all comes down to personal decisions and necessity.
Dimensions and design
The size of the filter you apply will always be a critical aspect. Some are larger and have a greater shield area, while others are smaller and have a lesser shield area. Examine the mic’s overall architecture and how many layers it has to avoid undesirable outside noises from being recorded. These properties can occasionally be seen in tandem: larger pop filter shields may have more shielding layers.
A pop filter is a low-cost piece of gear that may have a huge effect in your recording. Pops are easy to catch, whether from plosives, standing too near, breathing, or wind, ergo pop filters are essential for eliminating such unpleasant results. They smoothly glide on or in front of your mic, resulting in smooth, blemish-free recordings.
QUESTIONS AND ANSWERS ABOUT POP FILTER
What is a pop filter, exactly?
A pop filter is a recording device that reduces popping and unwanted background noise in your recordings. They’re great pieces of equipment to have because they’re small and inexpensive.
Q: How do I know which filter to use?
A: It’s all up to you. It all comes down to the microphones you have and your personal tastes. Some filters are built within the mic, while others are shields that sit a few inches in front of the mic on an adjustable arm.